Rainclouds over Damascus by Phil Sands

For months now he has wanted to get a photo agency together. It’s a collaborative effort between himself, his brother Chris Sands and Emma LeBlanc.

They wanted to start a small independent photo agency (called Makoto) specialising in Iraq, Afghanistan and Syria – the places they live and work.

The idea grew out of a certain frustration over the photography of which we see more and more, particularly on the internet – Images divorced from context, divorced from the world and, in fact, divorced from any real meaning they might otherwise have had.

Too often photos are not even captioned, and those that are don’t always seem to offer enough explanation. They reduce everything to the 125th-of-a-second that the photo was taken in, without offering any of the before or any of the after.

Without this, the images become very disposable. With the glut of photos out there, it just becomes a morass. Click, click, click your way thoughtlessly through to the next link, the next meaningless photo. Everyone seems preoccupied with the image that punctuates the ‘breaking news’ too concerned to be first to really care about the story.

It’s the opposite of what journalism, or photo journalism, or documentary photography – whatever you want to call it – ought to be.

Calligraphy in Syria by Phil Sands

Phil talked to me of how the conception of ‘Makoto‘ gleaned inspiration from the book ‘Vietnam Inc‘ by the late Philip Jones Griffiths. A man I was fortunate enough to meet at The Frontline Club a few years ago. He says.. “What makes it so important is that his photos were accompanied by these incredible, searing, passionate, insightful explanations. He gave the context. That’s one of the reason it was all so powerful.  In that book Philip Jones Griffiths sets out the marker that we should all aspire to, the standard to aim at.”

I have to agree. The internet should not become a medium for shoving out more photos, at a faster rate, skimming ever more over the surface. It should be a way of accessibly going into more detail, of accessibly providing deeper insight. Micro/rapid blogging still has a place to disseminate but micro blogging should not mean micro context.

Makoto is also something of a reaction against parachute journalism, which has been really rammed home with the Iraq and Afghanistan wars. A decent number of photographers who were in Iraq for the war (the war that hasn’t actually finished) have now packed up and gone to Afghanistan, as if somehow one war is interchangeable with the next, as if the Afghans are the same as the Iraqis.

There’s surprisingly little commitment to sticking with a story. It’s as if everyone has Attention Deficit Disorder. Either that or photographers are generally on a mission to collect as many visa stamps as possible in their passports.

Makoto wants to make a point of not being like that; Chris Sands has lived in Afghanistan for coming up on five years. Back in 2005 it wasn’t remotely trendy but he was there, doggedly chipping away at his work. Learning about the people and the place. It’s now grabbing all the headlines but presumably it won’t be in a year/two/three/four from now. But he plans to stick with it. Similarly Phil Sands his brother arrived in Iraq in 2003. He has stuck with it since.

I feel that by concentrating on a place, by trying to specialise, it’ll pay dividends in the breadth and depth of their work, in the details. In a simple way that might show through in a photo essay that has images in it spanning two or three years, not one week or one month.

Return of resistance fighter bodies Yarmouk Camp Syria By Phil Sands

There’s also a matter of respect. If you are reporting on a place properly, you come to care about the issues, about the people. It’s hard to walk away from that and, if you’re doing your job properly, perhaps you can’t or shouldn’t walk away. That’s also an old fashioned journalistic axiom that is being abandoned – live on your patch. Try to live as close to the story as you can. How many times are Syria stories reported from Lebanon? One British newspaper used to report Afghanistan from Pakistan, for God’s sake, even though the British Army was (and is) at war there. Why not just report everything from London and have done with it?

So, context and commitment. These are their goals. Time will tell if they succeed in coming anywhere near hitting them.

I remember getting Phil an old Nikon 301 and giving him a five minute lesson on ISO’s before he flew to Iraq for the first time. He has worked wonders with that camera and every camera he has had since.. A wordsmith using pictures the right way.

But that’s the other thing about their photo agency. The key idea is that the narrative behind the photos is as important as the photos themselves. In journalism, what’s the point in a technically perfect photo if it’s just hanging in isolation; at that point it’s just an art object.

We need to know the back story. The subtext. We need the ‘why’ answered. The nasty, irritating, all-important why; that thing that no one much bothers themselves with these days because it just to much like hard work to understand. Again, if the photographer doesn’t understand that, how can the photographs hope to portray it?

This is the reason each photo essay on the site is an essay. They start with a written explanation that anyone looking at the stuff should read. The words say the things the photos cannot. And each photo is captioned. Not in some narrow sense of saying what the picture shows, but by putting it into a context – putting it into a place within the wider narrative whole.

The site is at www.makotophotographic.com Please spread the word.

If we are to protect ‘quality’ journalism when we need it most, we need more sites like this.

Moeed Ahmed is the Supervisor of Internet Media, New Media section with Aljazeera in Doha, Qatar. With the help of Matt (@Barnstormed), I managed to grab a few words with him at my hotel.

More information on Aljazeera can be found at http://www.aljazeera.net

Follow me on twitter at Twitter.com/Documentally

I have also been told that Freemasonry is not a secret society, It is a society with secrets.

Never-the-less, it was the thought of being admitted to a secret society that attracted me to the idea of joining the Freemasons. I have an unhealthy fascination with the unknown.

Freemasonry has a mysterious history going back hundreds of years and it’s symbolism and iconography is embedded within our language, architecture and history.

One thing I didn’t quite understand when visiting a Masonic Lodge during a recruitment meeting was the rule asking you not talk about work, politics or religion.

Now, arguments often accompany political and religious discussion, so i could understand why those topics may be frowned upon. But I thought this would be just the place for movers and shakers, the people in positions of power to ‘Get Things Done’.. Where deals were made and projects started. How can this happen if all you have is small talk?

Now I think I get it.

Perhaps In one way Freemasonry is one of the Wests first social networks. Albeit a little more exclusive than the ones we have today. The small talk like the kind we see in our online social media networks was and is vital to build trust.

I imagine the Lodge meetings to be formal in some ways. Packed with ceremony and learning and the bar/social time afterward, the place where I’ve been invited to sample the subsidised beer, is where you shoot the breeze and get a feel for those you are connecting with.

Some of us do the same online. Twitter is a good example of people getting involved in small talk before contacts and connections are formally cemented. It may be at a conference or a social media get together where things move on to the next level. A quiet corner is found and business is done.

Here is the five minute chat with A Knights Templar Priest that started me thinking about how we ultimately use small talk to feel around for those we feel we can trust. In business, in play, in life..

We all may appear to be ‘open and transparent’ but I’ll wager many of us keep the finer details of our business transactions behind closed doors.

Those of us versed in these new ways of online communication know that any political figure who can truly and completely adopt social media methods would have a formidable secret weapon in their arsenal. A weapon that would have to be adopted across all the battling parties or they would quickly fall by the wayside.

Obama has come the closest at showing the world how to effectively use social and new media in a political campaign with great success.

With podcasts, viral videos, twitter streams and Flickr groups there seemed to be no corner of the Internet where Obama wasn’t being talked about. Who knows how much of this was actually orchestrated by Obama’s people themselves? Does it really matter? The conversations were happening and it seemed Obama’s supporters were the most clued up as to how to keep the ball rolling.

Here in the UK, David Cameron, leader of the Conservative party has been dabbling in social media too. You may have seen ‘Webcameron‘ and his Twitter feed.

He certainly has the people around him capable of pulling this off. Hell, he’s even  young enough to make it look like his idea.

Take a look at both parties current web presence though and you will see their pages filled with MySpace style jibes. Social media should be used more for engaging rather than bickering.

After myself and Sizemore documented Gordon Brown’s visit to the Reuters head office in London. Ilicco (Head of Reuters mobile) thought we should take it a step further for a visit by David Cameron.

So, come the morning of the 15th of December (Tomorrow) at 10 am, a team of UK social media practitioners shall be in position to document Cameron and the day in more channels than are usually exercised.

This time the team has grown. Behind the scenes we will now have the technical support of two very well known social media mavens, Nik Butler (@Loudmouthman) and Phil Campbell (@PhilCampbell). As Nik uses some code he has built to trawl the twittersphere for questions and comments relating to Cameron’s talk, Phil Campbell will be at the digital helm of his invention Rezpondr at http://Newsmaker.Rezpondr.com. On the Reuters side of things will be @Chris_Parker and @MarkJones manning @Reuters_co_uk

Myself and Mike we be on the ground as last time. Taking pix, shooting film, streaming live and using our Mac’s to live blog the mornings event.

If we can get enough coffee inside us prior to Cameron’s arrival, between the four of us we should be able to extract as much as possible from the 60 minutes at our disposal.

I shall have my N95 for Qiking, my iPhone for tweeting pix, my Kodak Zi6 for HD video blogging, my Nikon D3 for raw pix and new to the arsenal a Nikon D90 equipped with an Eye-Fi SD card streaming photo’s straight into my Eye-Fi flicker account. Obviously it may be a bit of a struggle using all these devices at once and some will argue that I could consolidate some of this kit as certain items are able to multi task. That may well be so, but this is a test. We are once again undertaking an experiment in extreme social media. We are here to make mistakes and to learn from them.

It could be that I concentrate on streaming video and photos and save the rest for either side of Cameron’s visit. Who know what will happen on the day.

All I know is we have an amazing array of technology at our disposal and some hugely capable minds to tie it all in. All this so as the people excluded from the opportunity to participate can truly be a part of the conversation.

In the future this will be the norm and we will wonder why it took so long for politics and journalism to catch on to this.

Oh.. and in answer to my initial question. I think not.. but some of their aides will no doubt do it for them.

In addition to making live and edited video content available worldwide over the web, myself (@Documentally) and Mike Atherton (@sizemore) were given unprecedented access to the event and asked to utilise some of our favorite social media apps in order to facilitate conversations around the day.

In addition to the following places I will no doubt attempt to blog what else we did as soon as i know what exactly what it was.

Documentally on Twitter.. Phreadz.. 12Seconds.. Qik.. Plurk.. and Seesmic

Sizemore on Twitter.. 12Seconds.. and Seesmic

I was on the way down to Southampton to pick up a car and although I have no idea what made me pop outside the station after getting off the train, I am glad i did.

I was not going pass up the opportunity to chat with a lifelong hero of mine so I wondered over and introduced myself.

We had a brief discussion about the National Union of Journalists before I suddenly remembered I had in my bag a pro stills camera, a web enabled mobile phone and a mini video camera.

Although Tony Benn only had about five minutes to catch his train to Preston he was kind enough to humour me as I conducted a short interview on video.. I then took a few stills and showed him how easy it was using Qik to stream from a mobile phone.

In about three minutes we were done and a slightly amazed Tony Benn took my card and invited me to get in touch so I could introduce him to more of this technology.

It was a really great start to the day for me. Totally unexpected and I was glad I had my ‘geek’ bag at the ready.

I have been a fan of Tony Benn and his work for a while now and am so glad to have finally met him. Not only that, but as a great bonus I now have his home number and hope to do a more in depth interview in the future.

Here is the same video on YouTube

..and my thoughts on Qik straight afterwards.

While the loss of combat troops is certainly tragic, even more stunning is a recent World Health Organization report based on Iraqi Health Ministry figures which estimates that 151,000 Iraqi civilians were killed between March 2003, the start of the invasion, and June 2006.

Many of the reports of civilian deaths are disputed. What cannot be argued, however, is another grave consequence of the Iraq War: the displacement crisis as a mass exodus of Iraqis flee the instabilities and ever-increasing sectarian violence at home, tearing their families apart.

In mid-January 2008, with the support of the United Nations High Commission For Refugees (UNHCR), I traveled to Amman, Jordan to photograph and record a few of these families trapped in a no-man’s land; asylum seekers looking for refuge, too afraid to return to their blood-soaked country.

Here are a few of their stories:

The film can also be viewed as a .wmv file here.. http://www.unhcr.org/video/iraqi-refugees-in-jordan.wmv
…and downloaded as a real media file here.. http://www.unhcr.org/video/iraqi-refugees-in-jordan.rm
For more information please check out.. The UNHCR Multimedia pages

To download this film to your ipod or mobile device please subscribe to the podcast at www.Documentally.com

This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 2.0 UK: England & Wales License.

[This film is dedicated to the memory of my Mother Liala Payne. Two weeks before I left for Jordan I explained my plans. She was proud and answered as she always did when i told her about a trip abroad.. Simply "Take care". Without her giving me the freedom she did as I was growing up I would not be the person I am now. I am sorry she did not get to see these stories. She died suddenly as I was due to leave. I flew out a week after we laid her to rest.]

I am glad i stuck with a brief video and didn’t embarrass myself.

When Bill talks about the connections made within social media I think he hits the nail on the head. So much so that you should just click this link and read his post. That way I can get on with my packing and preparations for my flight tomorrow to Austin, Texas and the massive festival that is SXSW.

Let me just say though.. All these places we spend time on allow us to converse with people in some ways on better terms that we could do in the flesh.

A couple of days ago I posted my 3000 video post on Seesmic and soon after was asked.. “Was it worth it?”.

I answered that I would have happily posted 5000 posts in exchange for the chance to have made contact with half of the amazing people I have met through the site. It has taken many of my previous ‘Twitter‘ connections to another dimension, as I choose what conversation I wish to get involved with, with whom and when.

How many conversations do you have in a day where you do not have the chance to choose those parameters?

I have been podcasting for a couple of years now and before that I was a heavy forum poster.. That said, I still feel I am very new to many of the intricacies of social media and with this in mind I am more than a little excited to what the future may hold.

Project Update:
Regarding the UNHCR project.. As I type this there are a few representatives in a small office in Amman, Jordan looking over it now. I hope to hear back soon and have a date where I can put it out there. Then, hopefully it will start a conversation and perhaps direct some help to some people that really need it.