camera
Funeral Photography
Photographing
a funeral may sound unusual but deaths, like births,
are key moments in any family's history. If done
properly, photos of a funeral and wake can serve as a
fitting memorial, bringing together happy and sad
memories.
Back in 2001 I bought FuneralPhotography.com. In a way it is an unfinished project, still sat there in stasis.
I won't say it has lay there dormant and totally unused but I'm still waiting for the world to become a little more open minded to the whole idea.
Four
years ago I went to my Grandad's funeral and left my
camera at home. I wish I had taken it. I had
organised the funeral and understandably had other
things on my mind.
Yet as the funereal morning came to its climax and my brother and I lowered the casket into the ground, I instinctively reached for my camera. It wasn't there.
The scene was beautiful, the green burial site was a field deep in the British countryside. At the foot of the grave next to my Italian Grandmother, a violinist played graceful tunes as the family took it in turns to throw single red roses onto the coffin. I looked across at my brother as he looked up at me and we both smiled.
My Grandad would of loved it. He always thought of himself as 'the Don'. I want to remember that moment forever. A picture would have helped. Then there were those members of the family spread out over the world that could not be there. A photo could have given them closure.
Anyway, I was inspired and saw all the good reasons for capturing images at funerals.
Other than weddings there is no other time you get so many of one family in one place. Probably more so. This is a great coming together and unlike a wedding - where everyone dresses up and tells you how great their life is and how much money they are earning - people seem real at funerals. Sincere, attentive, keener to listen to those around them. Suddenly humbled by loss and brought back to earth with the realisation that our time here is limited. Perhaps we need to be reminded of these things.
And funerals are not just sad; when families and friends get together to remember loved ones, fond memories are usually order of the day, and laughter not uncommon. Funerals, in a strange way, are more often celebrations of life than maudlin recollections of death.
I am guessing that funeral photography hasn't taken off because there isn't really any money in it. Good. It may surprise you to hear I am not interested in it to make money. The last thing I want to see in amongst the hundreds of bolt on services that undertakers have leaflets for is some flier for a local photographer advertising 'weddings and funeral packages to cater for all your pictoral needs'.
I think we are ripped off blind as it is. Prayed apon in a time of grief where we are told the more you spend the more you obviously love the departed. All funerals should be free. You would think that after a life of work in order to keep the cogs of society turning the least the state could do is pay for you to be put in a hole.
"Thanks for the last 45 years of taxes. Sorry we were too busy funding much needed wars to put any of it aside, you couldn't just pay for your own death could you?"
Anyway I digress.
So, let's say you have decided that the normal taboos around death and dying won't get in the way of a moment of history being documented. Or maybe you have been asked to take photos at a funeral. How should you go about photographing a funeral?
I have had a few emails from people wanting to know how to take pictures without upsetting the more sensitive of attendees.
Obviously
being a member of the family helps. If your not, then
make sure people at the funeral know what you're
doing, why you are there before you pull out a
camera. Then just be discreet.
Not so long ago I was asked to document the funeral of a friend of mine. Although close to the departed I hardly knew any of the people that were going to be there. Because of the time of the year the Dafodils were a theme throughout the service and the family had said that if it wasn't for the flowers they would love the pictures to be in black and white. I don't normally do selective colouring but as the order of service, the church, the digital projector and the grave side all featured the daffodil I figured it might work.
Regarding equipment I think a full blown 35mm digital slr is out of the question unless you are going to be loitering in the trees like the paparazzi. I have a Leica M6, a super quiet camera perfect for candid reportage, but on this occasion I chose to use a Ricoh GRD compact digital. I thought that with it's 28mm lens and a big memory card, i could shoot from the hip so as not to draw attention to myself and keep on shooting till the memory card was full. This meant that i could get intimate with what was going on and not ruin the service or get in the way of people's emotions. That said, the camera got in the way of my emotions and acted as a filter of sorts. It was not until I was editing the pictures at home later that night that I broke down and shed a tear for my friend. Having the camera made me an observer and not a participator.
The photos i took of that day are here.. www.christianpayne.com/josh
So, the funeral photography website: it's in a partially made state and if it creates a presence and introduces the idea that documenting the passing of a life is a 'good' thing, all the better. If someone finds it and asks, i will take pictures. If they are happy with the images on a CD, then I won't charge, just the costs to get there and if it is down the road then not even that.
I bought the domain shortly after covering the funeral of a minor celebrity for a local newspaper in Northamptonshire. I thought that as people's perceptions of death and dying changed so too does our approach to documenting this often overlooked and ultimate moment in our life. Why are the only funeral photographs we see taken by the press covering the passing of royalty and the rich? What about documenting the average everyday member of the general public? Are we all not the same in death?
Back in 2001 I bought FuneralPhotography.com. In a way it is an unfinished project, still sat there in stasis.
I won't say it has lay there dormant and totally unused but I'm still waiting for the world to become a little more open minded to the whole idea.
Yet as the funereal morning came to its climax and my brother and I lowered the casket into the ground, I instinctively reached for my camera. It wasn't there.
The scene was beautiful, the green burial site was a field deep in the British countryside. At the foot of the grave next to my Italian Grandmother, a violinist played graceful tunes as the family took it in turns to throw single red roses onto the coffin. I looked across at my brother as he looked up at me and we both smiled.
My Grandad would of loved it. He always thought of himself as 'the Don'. I want to remember that moment forever. A picture would have helped. Then there were those members of the family spread out over the world that could not be there. A photo could have given them closure.
Anyway, I was inspired and saw all the good reasons for capturing images at funerals.
Other than weddings there is no other time you get so many of one family in one place. Probably more so. This is a great coming together and unlike a wedding - where everyone dresses up and tells you how great their life is and how much money they are earning - people seem real at funerals. Sincere, attentive, keener to listen to those around them. Suddenly humbled by loss and brought back to earth with the realisation that our time here is limited. Perhaps we need to be reminded of these things.
And funerals are not just sad; when families and friends get together to remember loved ones, fond memories are usually order of the day, and laughter not uncommon. Funerals, in a strange way, are more often celebrations of life than maudlin recollections of death.
I am guessing that funeral photography hasn't taken off because there isn't really any money in it. Good. It may surprise you to hear I am not interested in it to make money. The last thing I want to see in amongst the hundreds of bolt on services that undertakers have leaflets for is some flier for a local photographer advertising 'weddings and funeral packages to cater for all your pictoral needs'.
I think we are ripped off blind as it is. Prayed apon in a time of grief where we are told the more you spend the more you obviously love the departed. All funerals should be free. You would think that after a life of work in order to keep the cogs of society turning the least the state could do is pay for you to be put in a hole.
"Thanks for the last 45 years of taxes. Sorry we were too busy funding much needed wars to put any of it aside, you couldn't just pay for your own death could you?"
Anyway I digress.
So, let's say you have decided that the normal taboos around death and dying won't get in the way of a moment of history being documented. Or maybe you have been asked to take photos at a funeral. How should you go about photographing a funeral?
I have had a few emails from people wanting to know how to take pictures without upsetting the more sensitive of attendees.
Not so long ago I was asked to document the funeral of a friend of mine. Although close to the departed I hardly knew any of the people that were going to be there. Because of the time of the year the Dafodils were a theme throughout the service and the family had said that if it wasn't for the flowers they would love the pictures to be in black and white. I don't normally do selective colouring but as the order of service, the church, the digital projector and the grave side all featured the daffodil I figured it might work.
Regarding equipment I think a full blown 35mm digital slr is out of the question unless you are going to be loitering in the trees like the paparazzi. I have a Leica M6, a super quiet camera perfect for candid reportage, but on this occasion I chose to use a Ricoh GRD compact digital. I thought that with it's 28mm lens and a big memory card, i could shoot from the hip so as not to draw attention to myself and keep on shooting till the memory card was full. This meant that i could get intimate with what was going on and not ruin the service or get in the way of people's emotions. That said, the camera got in the way of my emotions and acted as a filter of sorts. It was not until I was editing the pictures at home later that night that I broke down and shed a tear for my friend. Having the camera made me an observer and not a participator.
The photos i took of that day are here.. www.christianpayne.com/josh
So, the funeral photography website: it's in a partially made state and if it creates a presence and introduces the idea that documenting the passing of a life is a 'good' thing, all the better. If someone finds it and asks, i will take pictures. If they are happy with the images on a CD, then I won't charge, just the costs to get there and if it is down the road then not even that.
I bought the domain shortly after covering the funeral of a minor celebrity for a local newspaper in Northamptonshire. I thought that as people's perceptions of death and dying changed so too does our approach to documenting this often overlooked and ultimate moment in our life. Why are the only funeral photographs we see taken by the press covering the passing of royalty and the rich? What about documenting the average everyday member of the general public? Are we all not the same in death?
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Pocket Photography
29/08/05 09:20 Filed in: Personal
Whilst in Edinburgh last week I found myself running
low on mobile phone power. A friendly German couple
in a phone shop on Home Street kindly let me charge
it behind their counter whilst i was out and about.
I had one of those weird heads on when you tend to see a picture in everything and wished i had taken my camera out with me.
On returning to the shop i sparked up a conversation on phone technology and in no time at all i had made the spontaneous purchase of a brand new phone.
Granted it had been one i have been looking at for a while.. this particular model had been tweeked and messed with and even had the next and latest models firmwear installed inside it's sleek black shell. I was chuffed to bits and ever since i have been snapping at anything that passes a train window or falls underfoot.
A two mega pixel camera in a phone... and no doubt this is only the beginning.
Well of course it is as the corporate giants obviously want us to keep on upgrading and as soon as we know it, we will have a five megapixel...eight... then who knows if a camera will ever be just a camera again.
There is talk of a five megapixel camera watch that uses bluetooth technology to beam the viewfinder onto the inside of your shades or glasses.
Half of me wants to leave all this life complicating technology behind and simplify things... the other wants to embrace it and just have fun...
I had one of those weird heads on when you tend to see a picture in everything and wished i had taken my camera out with me.
On returning to the shop i sparked up a conversation on phone technology and in no time at all i had made the spontaneous purchase of a brand new phone.
Granted it had been one i have been looking at for a while.. this particular model had been tweeked and messed with and even had the next and latest models firmwear installed inside it's sleek black shell. I was chuffed to bits and ever since i have been snapping at anything that passes a train window or falls underfoot.
A two mega pixel camera in a phone... and no doubt this is only the beginning.
Well of course it is as the corporate giants obviously want us to keep on upgrading and as soon as we know it, we will have a five megapixel...eight... then who knows if a camera will ever be just a camera again.
There is talk of a five megapixel camera watch that uses bluetooth technology to beam the viewfinder onto the inside of your shades or glasses.
Half of me wants to leave all this life complicating technology behind and simplify things... the other wants to embrace it and just have fun...
